Arrafi music Indonesia - An Overview

Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.

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Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.

Akar dari Keroncong ternyata sudah mulai masuk ke Indonesia pada abad ke-16. Musik ini dibawa oleh para pelaut dan budak kapal dari Portugis. Musik seperti ini pada awalnya dikenal dengan nama Fado, di mana namanya itu sendiri merupakan nama bawaan dari Portugis.

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Sampai saat ini, musik Keroncong masih terus diperjuangkan oleh beberapa musisi agar eksistensinya tidak kalah tertimpa oleh jenis-jenis musik lainnya.

the exact same effort and hard work was finished by Didi Kempot and Koko Thole who's got presented new colour to “keroncong” music. They built initiatives to distribute “keroncong” music to a wide array of Modern society and in addition produce the music itself.

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Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-16, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.

Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.

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Pengaruh lainnya datang dari musik Hawai yang kental dengan nada mayor, dan masuk ke Indonesia hampir bersamaan dengan munculnya musik Keroncong.

The emergence of “campursari” during the 1990s, pioneered by Manthous, brought an influence of desire and became a magnet for lovers and activists of “keroncong” and classic music so that they enjoy the music and several teams of “campursari” music that is rooted from “keroncong” grew.

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